4/15/2023 0 Comments Xmen firstclass movie“We didn’t use any tricks with the typography in his sequence.“ In my opinion, these limitations often led to more interesting and controlled results where a strong concept led the design and tricks were kept to a minimum.” Which is why Clowes kept the design as clean as possible. “There were a lot of limitations back then compared to today where we have easier ways to animate graphics and anyone can move type and objects around on a screen. According to Clowes, designers and animators today still appreciate the classic title designs by Bass and Binder for their sophistication, simplicity, and hand-made optical feel. Simon Clowes – still in his twenties – adds that Saul Bass was another influence for his X-Men titles. Not in the least because new generations of motion designers continue to reference his crisp no-nonsense typographic compositions and his playful abstract motion graphics. Almost 50 years later, Binder’s Main Title hasn’t lost any of its appeal or its relevance. In fact, “First Class” is set in 1962, the same year that Dr. Then it is no coincidence that the titles for X-Men: First Class echo Maurice Binder‘s iconic Main Title for Dr. “He wanted the title sequence to feel like it was set in the same time period as the movie,” says Clowes. One thing that Simon Clowes picked up from the brief was that the director loved the early James Bond titles. Out of all the various concepts made by different designers at Prologue, Vaughn selected four designs to elaborate on and finally settled on the cleanest, simplest design of them all – a Maurice Binder-inspired board which was made by Simon Clowes. Instead of going for a slick, “3D heavy” title sequence for X-Men: First Class – like the titles for the previous movies in the franchise – director Matthew Vaughn made it perfectly clear in his brief to Prologue‘s executive producer Kyle Cooper that he didn’t want to go down that route, and he sticked to that. Daredevil Simon Clowes, Prologue Films (2011)
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